Unit 2: Research and Ideation - Practice Quiz

FST803 — Fashion Design Process 60 Questions
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1 What does inspiration provide during the fashion design process?

inspiration Easy
A. A standard size chart
B. A production deadline
C. A final garment price
D. A starting point for ideas

2 Which of the following is an intangible source of inspiration?

tangibles and intangibles Easy
A. A vintage jacket
B. A feeling of freedom
C. A piece of fabric
D. A wooden sculpture

3 In attribute listing, what does the shape of a garment refer to?

attribute listing (structure and shape, colour, texture, details, surface decoration and print) Easy
A. Its brand name
B. Its overall outline
C. Its care label
D. Its retail price

4 Which garment attribute describes how a fabric feels or appears to feel?

attribute listing (structure and shape, colour, texture, details, surface decoration and print) Easy
A. Structure
B. Colour
C. Print
D. Texture

5 Which of the following is an example of surface decoration?

attribute listing (structure and shape, colour, texture, details, surface decoration and print) Easy
A. Pattern grading
B. Bead embroidery
C. Fabric costing
D. Garment sizing

6 Why might a fashion designer study clothing from the Victorian period?

historical references Easy
A. To prepare shipping labels
B. To gain historical inspiration
C. To measure store space
D. To calculate factory wages

7 What is a cultural influence in fashion?

cultural influences Easy
A. Sizes selected by a manufacturer
B. Prices fixed by a clothing store
C. Ideas drawn from a community's traditions
D. Deadlines set by a production team

8 What are contemporary fashion trends?

contemporary trends Easy
A. Garments kept only in museums
B. Methods used only for costing
C. Styles popular at the present time
D. Rules followed only in factories

9 Which type of research mainly collects numerical data?

qualitative and quantitative research Easy
A. Visual research
B. Historical research
C. Quantitative research
D. Qualitative research

10 Which activity is an example of primary research?

primary and secondary research Easy
A. Viewing an archived report
B. Interviewing potential customers
C. Studying an existing website
D. Reading a published textbook

11 Which research resource is most useful for directly observing everyday clothing and youth subcultures?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Easy
A. Street observation
B. Travel journals
C. Museum archives
D. Catwalk reports

12 Which resource can provide inspiration through costumes, performances, and visual storytelling?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Easy
A. Film, theatre, and music
B. Fashion magazines
C. Vintage clothing markets
D. Catwalk trend reports

13 Which research activity gives a designer firsthand exposure to regional clothing, crafts, and lifestyles?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Easy
A. Catwalk viewing
B. Magazine reading
C. Travel
D. Museum cataloguing

14 What is the main purpose of fashion trend forecasting?

fashion trend forecasting Easy
A. To predict future fashion directions
B. To calculate employee salaries
C. To arrange factory equipment
D. To repair damaged garments

15 What is encouraged during the early stage of brainstorming?

brainstorming Easy
A. Selecting one idea immediately
B. Calculating production costs first
C. Generating many ideas freely
D. Rejecting unusual ideas quickly

16 How is a mind map usually organised?

mind-mapping Easy
A. Garments follow a size chart
B. Prices follow a numbered table
C. Ideas branch from a central theme
D. Tasks appear on a calendar

17 What typically happens during a brain-walk activity?

brain-walk Easy
A. Participants move between idea stations
B. Participants watch a fashion film
C. Participants complete individual surveys
D. Participants calculate garment costs

18 How are ideas mainly shared during brain-writing?

brain-write Easy
A. They are written down
B. They are priced in stores
C. They are performed on stage
D. They are modelled in fabric

19 What is the main purpose of a fashion theme board?

developing theme board Easy
A. To communicate a design direction
B. To calculate fabric quantities
C. To schedule factory shifts
D. To record garment sales

20 Which combination is most suitable for inclusion on a theme board?

developing theme board Easy
A. Wages, shifts, and attendance sheets
B. Invoices, receipts, and tax forms
C. Barcodes, prices, and delivery notes
D. Images, colours, and fabric samples

21 A designer is inspired by the idea of urban isolation. Which action would best convert this inspiration into an initial design direction?

inspiration Medium
A. Collect images of empty streets and develop elongated silhouettes
B. Begin production before identifying any visual references
C. Copy complete outfits from a current retail catalogue
D. Select fabrics only according to their wholesale prices

22 Which pairing correctly identifies one tangible and one intangible source of inspiration?

tangibles and intangibles Medium
A. A photograph and a vintage military jacket
B. A memory and a sense of personal freedom
C. A seashell and a carved wooden object
D. A silk swatch and a feeling of nostalgia

23 A designer uses attribute listing to analyse a seashell. Which observation belongs mainly under structure and shape?

attribute listing (structure and shape, colour, texture, details, surface decoration and print) Medium
A. Cream colour with pale pink variations
B. A digitally repeated shell motif printed across several coordinated fabrics
C. Spiralling form with a widening outer edge
D. Ridged surface that feels rough to touch

24 A collection inspired by tree bark already uses brown tones and rough fabrics. Which development most directly explores the surface decoration and print attribute?

attribute listing (structure and shape, colour, texture, details, surface decoration and print) Medium
A. Creating a layered bark-pattern screen print
B. Changing the garments to oversized silhouettes
C. Adding deeper pockets to improve functionality
D. Replacing brown with several neutral shades

25 A designer wants to reference 1920s eveningwear without producing a costume. Which approach is most appropriate?

historical references Medium
A. Reproduce one museum dress exactly with matching period accessories
B. Ignore period construction and use only a 1920s collection title
C. Combine every major fashion feature from the entire twentieth century
D. Adapt dropped waists and geometric beading into modern separates

26 Before using a ceremonial motif from another culture, what should a designer do first?

cultural influences Medium
A. Use the motif because it is already visible online
B. Research its meaning and consult relevant cultural sources
C. Combine it with unrelated symbols to make it appear international
D. Simplify the motif until its original meaning disappears

27 Cargo pockets appear in street style, retail reports, and several recent collections. How should a designer respond if the brand is known for formal tailoring?

contemporary trends Medium
A. Avoid the feature because trends never suit established brands
B. Integrate refined cargo details into tailored garments
C. Replace the brand identity with a completely casual product range
D. Copy a popular streetwear cargo outfit without changes

28 A designer wants to know both how many customers prefer recycled fabric and why they prefer it. Which research plan is most suitable?

qualitative and quantitative research Medium
A. Count store visitors without asking about fabric preferences
B. Use a preference survey followed by customer interviews
C. Rely on a detailed online article describing global sustainability without gathering customer data
D. Conduct interviews and avoid recording any repeated themes

29 Which research activity produces primary research for a new youth outerwear collection?

primary and secondary research Medium
A. Reading an existing report on the youth apparel market
B. Reviewing archived photographs in a fashion history book
C. Interviewing local teenagers about their jacket choices
D. Comparing forecasts published by an international trend agency

30 A designer is researching how young people actually customise denim in a city. Which resource would provide the most direct evidence?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Medium
A. A forecast report for luxury eveningwear
B. A museum exhibition of eighteenth-century clothing
C. A historical film set in another country
D. Street observation in youth gathering areas

31 For a collection inspired by theatrical movement, which research method is likely to be most useful?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Medium
A. Study only still photographs of folded garments
B. Compare monthly sales totals from footwear stores
C. Visit fabric suppliers without considering performance requirements
D. Observe rehearsals and record how costumes move

32 A silhouette appears in one catwalk show but nowhere else. What is the best conclusion for trend research?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Medium
A. Base the entire collection on it after copying the runway styling, accessories, colours, and fabrics exactly
B. Treat it as an early signal requiring further evidence
C. Reject it because catwalks never influence commercial fashion
D. Declare it a confirmed mass-market trend immediately

33 What is the strongest reason to examine garments in vintage shops rather than relying only on online photographs?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Medium
A. To guarantee that every vintage garment is historically rare
B. To inspect construction, wear, fabric, and hidden details
C. To avoid documenting the garment through sketches or notes
D. To identify future sales figures from garment labels

34 A forecaster notices repeated metallic finishes in music videos, street style, fabric fairs, and catwalk collections. What does this repetition suggest?

fashion trend forecasting Medium
A. Metallic finishes may develop into a broader trend
B. All other surface finishes will immediately disappear
C. Metallic finishes are limited to one isolated designer
D. The evidence predicts the exact sales volume of every metallic garment

35 During a brainstorming session, team members begin criticising ideas as soon as they are suggested. What should the facilitator do?

brainstorming Medium
A. Postpone evaluation and encourage more varied ideas
B. Ask senior members to approve each suggestion before recording it
C. Allow only ideas supported by detailed production costs
D. End the session when the first workable idea appears

36 A designer places Desert at Night at the centre of a page. Which set of first-level branches would create the most useful mind map?

mind-mapping Medium
A. Colour, texture, silhouette, mood, and material
B. Advertising slogans copied from unrelated clothing brands
C. Hem, hem, hem, hem, and hem
D. Invoice, delivery, payroll, storage, and insurance

37 A team places separate sheets labelled colour, silhouette, texture, and detail around the studio. Members move between them and add ideas. Which method are they using?

brain-walk Medium
A. Trend forecasting
B. Brain-walk
C. Mind-mapping
D. Quantitative surveying

38 A design team includes members who are hesitant to speak in group discussions. Why might brain-writing be more effective than verbal brainstorming?

brain-write Medium
A. It lets everyone record ideas before group discussion
B. It requires one leader to generate all initial concepts
C. It removes the need to review or develop any ideas
D. It ranks participants according to how quickly they can defend their suggestions

39 A theme board for Fragile Architecture contains cracked concrete, translucent layers, exposed frameworks, and muted grey tones. Which addition would best strengthen its coherence?

developing theme board Medium
A. A collection of random images selected only because each image is currently popular online
B. A bright tropical print with cartoon fruit
C. A sample of sheer fabric with linear seams
D. A glossy advertisement for unrelated sports shoes

40 A theme board has 40 unrelated images, several competing colour palettes, and no clear focal point. What is the most effective revision?

developing theme board Medium
A. Add more images to represent every possible design direction
B. Arrange the existing material alphabetically by the name of each source
C. Remove all fabric samples and retain only written descriptions
D. Edit the content around one visual story and palette

41 A designer selects the intangible concept controlled tension as inspiration. Which development strategy translates the concept most effectively without relying on literal imagery?

inspiration Hard
A. Reproduce industrial safety uniforms using their original colours and standard proportions
B. Combine restrained silhouettes with strategically displaced seams and compressed fabric sections
C. Print photographs of ropes across otherwise conventional garments and accessories
D. Collect unrelated dramatic images unified mainly through a dark monochromatic palette

42 During research at an abandoned railway station, a designer records a rusted hinge, peeling paint, repetitive echoes and a feeling of interrupted movement. Which classification is most defensible?

tangibles and intangibles Hard
A. The hinge and paint are tangible; the echoes and movement concept are intangible
B. The echoes and paint are tangible; the hinge and movement concept are intangible
C. The paint and movement concept are tangible; the hinge and echoes are intangible
D. The hinge and echoes are tangible; the paint and movement concept are intangible

43 A team wants to determine whether a collection's visual identity comes primarily from silhouette rather than colour or decoration. Which attribute-listing procedure provides the strongest evidence?

attribute listing (structure and shape, colour, texture, details, surface decoration and print) Hard
A. Hold silhouette constant while varying palette, texture and surface decoration simultaneously
B. Vary palette and silhouette together while removing all garment construction details
C. Develop unrelated total looks and select whichever receives the highest preference score
D. Vary silhouette systematically while holding palette, fabric finish and decoration constant

44 A designer researching eighteenth-century panniers wants a contemporary reference rather than a costume reproduction. Which approach demonstrates the most critical use of history?

historical references Hard
A. Copy the original proportions but replace brocade with recycled synthetic fabric
B. Reproduce the understructure accurately while simplifying only the visible surface decoration
C. Abstract the lateral volume principle into modular, detachable structures suited to modern movement
D. Combine panniers with unrelated historical sleeves to make the source less recognizable

45 A fashion label wishes to use a sacred geometric motif associated with a living Indigenous community. Which research decision best addresses both design integrity and cultural responsibility?

cultural influences Hard
A. Change the motif's colours substantially and register the variation as a new house print
B. Redraw the motif from museum photographs and omit its name from promotional material
C. Consult authorized community representatives and establish consent, attribution and shared benefit
D. Use only fragments of the motif because partial forms cannot carry cultural significance

46 A silhouette appears in student styling videos, independent labels and resale searches, but is almost absent from mass retail. How should a researcher interpret it?

contemporary trends Hard
A. As a weak emerging signal requiring longitudinal and cross-source validation
B. As a finished fad because mass retailers have not included it in current ranges
C. As a cyclical classic because resale activity necessarily indicates long-term stability
D. As an established mainstream trend because three sources already confirm adoption

47 A survey finds that 68% of respondents prefer minimal clothing, while interviews reveal strong demand for expressive dress at social events. What is the most rigorous interpretation?

qualitative and quantitative research Hard
A. The survey should replace the interviews because numerical evidence is inherently more objective
B. The interviews should replace the survey because qualitative responses reveal deeper consumer truth
C. The two findings cancel each other, so neither dataset should influence the design direction
D. Preference is probably context-dependent, so responses should be segmented by occasion and behaviour

48 A designer downloads an existing retailer sales report, interviews six store buyers and conducts original wear trials. How should these sources be classified?

primary and secondary research Hard
A. The report is secondary; the buyer interviews and wear trials are primary
B. All three are primary because the designer personally selected and analysed them
C. The report and wear trials are primary; the buyer interviews are secondary
D. The report and interviews are secondary; only the wear trials are primary

49 A street-style study samples only people leaving one music venue on a Saturday night. Which redesign best reduces selection bias while preserving observational research?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Hard
A. Replace field observation with images posted under the venue's official hashtag
B. Increase the number photographed outside the same venue during one evening
C. Ask venue staff to select the individuals who appear most trend-relevant
D. Use time-location sampling across several districts, dayparts and event types

50 A designer uses an experimental film as a research source but wants to avoid simply copying its costumes. Which translation method is most conceptually rigorous?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Hard
A. Extract isolated costume details while disregarding the film's narrative and visual structure
B. Reproduce the lead character's clothing in fabrics associated with the target market
C. Convert editing rhythm and shifts in lighting into garment sequencing and tonal progression
D. Match each garment directly to a recognizable scene for promotional storytelling

51 Two catwalk collections contain 20 and 60 looks. A researcher finds oversized shoulders in 8 and 18 looks respectively. Which comparison is methodologically sound?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Hard
A. Compare normalized shares: 40% in the first collection and 30% in the second
B. Compare raw counts: the second collection is stronger because 18 exceeds 8
C. Add both counts: oversized shoulders represent 26% of the combined trend sample
D. Discard the first collection because its smaller show cannot provide valid trend evidence

52 An unlabeled jacket bought at a flea market appears to be from the 1940s, but its zip and lining may be later replacements. How should it be used in research?

research resources (Street, youth and subculture, film, theatre and music, catwalk trends, travel, vintage shops and flea markets, art galleries and museums, magazines) Hard
A. Exclude it entirely because altered garments cannot provide useful design information
B. Date it from its overall silhouette and treat every component as historically original
C. Classify it by the seller's estimate and cite the market as sufficient provenance
D. Document its construction as material evidence while verifying date and provenance independently

53 A forecaster observes rising repair tutorials, visible-mending communities, retailer repair services and legislation supporting product longevity. Which conclusion is strongest?

fashion trend forecasting Hard
A. The legislation is unrelated to fashion because policy cannot affect aesthetic preferences
B. The converging cultural, commercial and regulatory signals support a durable repair-led direction
C. The tutorial growth proves visible mending will dominate every market segment next season
D. The retailer services show the direction has already peaked and entered inevitable decline

54 In a live brainstorming session, two senior designers dominate while junior participants self-censor. Which intervention best preserves brainstorming's divergent phase?

brainstorming Hard
A. Require junior participants to defend the feasibility of every idea before recording it
B. Ask the senior designers to rank each suggestion immediately after it is proposed
C. End divergence early and let the most experienced designer define the final direction
D. Begin with silent idea generation, then use timed round-robin sharing without evaluation

55 A mind map for the theme urban erosion has many images but produces few design directions. Which revision would most improve its generative value?

mind-mapping Hard
A. Replace branching connections with a linear list ranked by immediate commercial appeal
B. Remove contradictory associations and retain only images that share one visual style
C. Arrange all images by colour so the map functions as a consistent presentation board
D. Add labelled branches linking causes, sensory qualities, materials, processes and garment outcomes

56 A team uses brain-walk to solve four collection problems, but participants merely repeat ideas already posted at each station. Which modification best restores the method's cumulative advantage?

brain-walk Hard
A. Require each rotation to extend, combine or deliberately invert an existing proposal
B. Assign one expert to approve ideas before participants move to the next station
C. Keep participants at one station and allow discussion until they reach consensus
D. Remove previous notes before each rotation so every station begins without influence

57 In a standard 6-3-5 brain-writing exercise, six participants each contribute three ideas per round across six rounds. Before removing repetitions, how many idea entries are produced?

brain-write Hard
A. entries
B. entries
C. entries
D. entries

58 A theme board titled Fragile Armour contains translucent shells, cracked ceramics, rigid tailoring and one saturated tropical print chosen for visual excitement. What is the strongest editing decision?

developing theme board Hard
A. Retain every image and explain inconsistencies later during garment development
B. Remove the rigid tailoring because literal armour references prevent conceptual development
C. Remove the tropical print unless its colour or structure can support the central contradiction
D. Retain the tropical print because every effective theme board requires a focal contrast

59 A designer wants to test every combination of 3 structural shapes, 2 textures and 4 print scales while keeping colour and details constant. How many distinct attribute combinations are required?

attribute listing (structure and shape, colour, texture, details, surface decoration and print) Hard
A. combinations
B. combinations
C. combinations
D. combinations

60 Archived magazines suggest that neon sportswear peaked in 1989, while interviewees consistently remember the peak as 1991. What is the best next research step?

primary and secondary research Hard
A. Average the dates and report 1990 as the statistically reconciled historical peak
B. Accept 1989 because all printed archival material is objective and free from selection bias
C. Accept 1991 because repeated personal memories are more reliable than published sources
D. Compare dated retail, advertising and sales records while treating memory as contextual evidence